Requested by many...
TOM DE LUCA had success as songwriter during the '80s, unfortunately not the same happened with his recording artist career. Tom got a contract with major label Epic and his debut album Down To The Wire was ready to be released in 1986, but due to some record company troubles only the initial, limited batch of the album hit the stores.
Many tracks for a supposed second album were already taped, some in a pre-production form, but of course, the sophomore opus never materialized.
Some kind of myth among AOR fans is that already there's a second Tom De Luca album released under the title "Captured", but in fact it's a collection of the aforementioned demos, more or less.
Less I'd say, because De Luca demoed more songs later, where the great Mike Slamer (Steelhouse Lane, Seventh Key) was involved.
I have compiled here all these songs under the title "Captured / The Sessions", all finished tracks with pre-production quality, all unreleased. Well, 3 were included as bonus tracks in the Down To The Wire reissue (featured here on the blog), but the demos are slightly different, especially the mix.
The overall sound quality is excellent - I've cleaned some noises, studio clicks, etc, plus myself-made artwork - and the material is highly enjoyable stuff for all melodic rockers out there.
A collectors item.
01 - Strongest Heart
02 - Take It Like A Man
03 - Don't Need Your Kind Of Love
04 - Only The Young
05 - Love Train
06 - Let Me Know
07 - Shotgun Wedding
08 - Suicide City
09 - Can't Stop Love, Can't Stop Money
10 - You're My Religion
11 - Still I Want To Fall
12 - Captured
13 - Guilty
14 - Kickstart My Heart
15 - Tragedy
16 - Searching For That Something
17 - Raised On Love
TOM DE LUCA - Captured [The Sessions]
Wednesday, March 29, 2017
TOM DE LUCA started his career basically as songwriter, established in Nashville at the end of the Seventies. He co-wrote the Jennifer Rush hit 'Heart Over Mind', songs for Aldo Nova, Joe Perry of Aerosmith and most of the tracks in Molly Hatchet's 1984 album 'Deed Is Done'.
This successful work with the Hatchet attracted Epic / CBS Records to sign Tom as solo artist, and send him to England to record his debut with James Guthrie (Pink Floyd, Judas Priest).
After a year and a half of hard work, "Down To The Wire" was ready to be out at the beginning of 1986. Unfortunately, the same week of the release there was an unexpected executive staff change at Epic, and the new crew decided to not promote De Luca's album.
Few cassette and vinyl LP copies (already pressed) reached selected stores, and the album become a collectors item instantly.
Much sought after for years, fans had to wait more than twenty years to see "Down To The Wire" released for the first time on CD.
This album is a lovable slab of Midwest American AOR / Melodic Rock with a sharp guitar sound and catchy choruses akin John Waite, Stan Bush, Kane Roberts early solo works, Aldo Nova, Jeff Paris and Steve Plunkett's projects - check the Autograph-like (minus the bombast) "Chasing Shadows".
Finally available with a superb sound, this "Down To The Wire" reissue includes three bonus tracks, two of them co-penned with the mighty Mike Slamer (Steelhouse Lane, Seventh Key) composed in the late '80s and much more Melodic Rock oriented.
A must have for any '80s American AOR / Melodic Rock fan.
01 - 57 Chevy
02 - Runaway Hearts
03 - Chasing Shadows
04 - Dirty Fingers
05 - Fire In The Night
06 - Down To The Wire
07 - Going The Distance
08 - Stone In Your Heart
09 - Betrayed
10 - Reunion
11 - Don't Need Your Kind Of Love (bonus track)
12 - Can't Stop Love Can't Stop Money (bonus track)
13 - Love Train (bonus track)
Tom De Luca - Vocals, Guitar
Derek O'Neil - Guitar
Mickey Feat - Bass, Backing Vocals
Jamie Lane - Drums
Danny Schogger - Keyboards
Taylor Rhodes - Keyboards, Backing Vocals
Gary Barnacle - Sax
Martin Ditcham - Percussion
TOM DE LUCA Down To The Wire
Thursday, March 02, 2017
Requested by one of you...
The only reference I had from TERRY REID years ago was his contribution to the Days Of Thunder soundtrack. But this English gentleman began his career in the late Sixties, shared stages with the likes of Rolling Stones, Cream, Jimi Hendrix, and even Jimmy Page wanted Reid for his proposed new group, The New Yardbirds, which was to become Led Zeppelin.
Later, it was offered a slot as lead vocalist of Deep Purple, but again, Reid declined, decided to concentrate in his solo career. Wrong decision indeed...
Anyway, after some moderate success all over the Seventies, at the beginning of the '80s Reid located in the US and worked as session musician recording for Don Henley, Jackson Browne, UFO, and many more.
Then came the opportunity to record a song for the Days Of Thunder movie, a cover version of the Spencer Davis Group classic 'Gimme Some Lovin'. Due to the film & soundtrack success, Reid was offered to record a new solo album, 12 years after his last LP.
The result was this "The Driver", mostly produced by renowned producer Trevor Horn with a pristine, bright late '80s sound. Also some serious musicians were part of the sessions (check below).
It opens with the beautiful midtempo light AOR 'Fifth Of July', followed by my favorite 'There's Nothing Wrong' which seems recorded in 1986, and still send chills down my spine with each listen. What a killer tune.
Then there's the exquisite ballad 'Right To The End' composed and produced by talented Gerard McMann, charming and very atmospheric.
Another highlight is the closing song: 'The Driver', which is no-other than the original version (written by Reid with film composer Hans Zimmer) of 'Last Note Of Freedom' performed by David Coverdale on Days Of Thunder OST. Lyrics were changed (and title song) to conform what happens in the movie story.
"The Driver" is a true piece of '80s (despite of being released in 1991) with that classy clinical production taking advantage of Reid's slightly raspy, unique smooth vocals.
This is taken from the original edition CD long time out of print. A couple years ago appeared an Original Album Series box featuring 5 Terry Reid career albums including "The Driver", but not remastered. And if you ask me (I've listened to it) this one sounds much better.
01 - Fifth Of July
02 - There's Nothing Wrong
03 - Right To The End
04 - The Whole Of The Moon
05 - Hand Of Dimes
06 - The Driver (Part I)
07 - If You Let Her
08 - Turn Around
09 - Gimme Some Lovin'
10 - Laugh At Life
11 - The Driver (Part II)
Terry Reid - vocals, guitar
Jackie Lomax - guitars
Brian Auger - keyboards, programming
Timothy B. Schmit (The Eagles) - bass
Alan White (Yes) - drums
Stewart Copeland (The Police) - drums
Jack Lancaster - sax
Joe Walsh (The Eagles) - guest guitar solo
Howard Jones - keyboards, programming
Enya - backing vocals
TERRY REID - The Driver (1991)